Imagine this: a smiling the Danish striker wearing Napoli's colors. Now, juxtapose it with a sad-looking the Slovenian forward in a Manchester United kit, appearing like he just missed an open goal. Don't bother locating an actual photo of him missing; background information is the enemy. Then, add some goal stats in a big, silly font. Don't forget some emoticons. Share it everywhere.
Would you mention that Højlund's goal count includes strikes in the premier European competition while Sesko does not compete in Europe? Certainly not. Nor would you note that four of Højlund's goals were scored versus weaker national sides, or that Denmark is far superior to Slovenia and generates many more chances. If you manage online for a major brand, pure interaction is your livelihood, United are the biggest draw, and nuance is the thing to avoid.
Thus the cycle of content spins. The next job is to sift through a 44-minute interview featuring the legendary goalkeeper and extract the part where he calls the acquisition of Sesko "weird". There's a bit, where Schmeichel prefaces his remarks by saying, "Nothing negative to say about Benjamin Sesko"... yes, remove that part. No one needs that. Just make sure "weird" and "the player" are paired in the headline. People will be furious.
The heart of fall has long been one of my preferred periods to observe football. The leaves swirl, winds shift, squads and strategies are newly formed, all is novel and yet patterns are emerging. The stars of the season ahead are planting their flags. The transfer window is shut. No one is mentioning the multiple trophies yet. All teams are still in the game. At this precise point, anything is possible.
However, for many of the same reasons, mid-autumn has also been one of my most disliked times to consume news on football. Because although nothing has yet been settled, something must always be getting settled. Jack Grealish is reborn. The German talent has been a crushing disappointment. Could Semenyo be the best player in the league right now? Please an answer immediately.
In many ways, Benjamin Sesko feels like Patient Zero in this respect, a player caught between football's opposing, non-negotiable forces. The imperative to withhold definitive judgment, to let layers of technical texture and tactical sophistication to develop. And the imperative to generate instant definitive judgment, a constant stream of takes and jokes, context-free criticisms and meaningless comparisons, a square that can not truly be circled.
It is not my aim to provide a in-depth analysis of Sesko's time at United to date. He has been in the lineup on four occasions in the Premier League in a wildly inconsistent team, scored two goals, and taken a mere of 116 contacts with the ball. What precisely are we analysing? Nor do I propose to duplicate Gary Neville's and Ian Wright's seminal masterwork "Argument Over Benjamin Sesko", in which two famous analysts duel thrillingly on a podcast over whether he needs ten strikes to be a success this year (Neville), or whether it is more like twelve or thirteen (the other).
Despite this I loved watching Sesko at his former club: a powerful, screeching racing car of a striker, playing in a team ideally suited to his talents: afforded the freedom to rampage but also the freedom to miss. And in part this is why Manchester United feels like the cruellest place he could possibly be right now: a place where "harsh judgments" are summarily issued in about the time it takes to watch a pre-roll ad, the club with the largest and most pitiless gulf between the patience and space he requires, and the opportunity he is likely to receive.
We saw a case of this over the international break, when a viral chart conveniently informed us that Sesko had been judged – decisively – the poorest acquisition of the recent market by a poll of football representatives. Naturally, the media are by no means alone in such behavior. Club channels, influencers, anonymous X accounts with a suspiciously high number of pornbot followers: all parties with a vested interest is now essentially operating along the identical rules, an environment deliberately nosed towards provocation.
Scroll, scroll, tap, scroll. What are we doing to us? Are we aware, on any level, what this endless stream of irritation is doing to our minds? Separate from the essential weirdness of being a player in the middle of it all, knowing on a bizarre butterfly-effect level that each aspect about players is now basically material, product, open-source property to be repackaged and traded.
Indeed, partly this is because it's Manchester United, the entity that continues to feed the narrative, a major institution that must constantly be generating the strong emotions. However, in part this is a temporary malaise, a pendulum of judgment most visibly and harshly observed at this time of year, about a month after the window has closed. Throughout the summer we have been coveting footballers, praising them, salivating over them. Now, only a handful of games later, many of those very players are now being dismissed as broken goods. Should we start to be concerned about Jamie Gittens? Did Arsenal actually need Viktor Gyökeres wise? What was the point of another expensive buy?
It seems fitting that he faces Liverpool on the weekend: a team at once 13 months unbeaten at their stadium in the league and yet in their own state of perceived turmoil, like filing a a report on a person who popped to the store 30 minutes ago. Too open. Mohamed Salah finished. The striker an expensive flop. The coach bald.
Perhaps we have not yet quite grasped the way the narrative of football has started to replace football the actual game, to influence the way we view it, an entire sport repivoted around discussion topics and immediate responses, something that happens in the background while we scroll through our phones, unable to detach from the constant flow of takes and more takes. It may be this player bearing the brunt right now. However, we're all sacrificing a part of the experience here.
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